Milan celebrates Enrico Baj (Milan, 31 October 1924 – Vergiate, 16 June 2003), one of the masters of the Italian and international neo-avant-garde, with a large retrospective as one of the protagonists of the autumn exhibitions, designed to revisit all the themes and subjects of his long and multifaceted career. Baj returns to Palazzo Reale in the Sala delle Cariatidi, exactly one hundred years after his birth and twelve years after the exhibition I Funerali dell’anarchico Pinelli, in the same room, and which, for the first time, will be integrated into an anthological itinerary and in close dialogue with other works by the master.

Promoted by the Comune di Milano-Cultura and produced by Palazzo Reale with Electa, the project is curated by Chiara Gatti and Roberta Cerini Baj and features almost fifty works spanning a time period from the early 1950s to the dawn of the 2000s, covering the artist’s phases of research and involvement with different movements over time: from the recovery of the Dada movement and Surrealism to the modes of Informal art, from the proximity to the Nordic CoBrA group to the genesis of the Nuclear art movement, which Baj founded in Milan with Sergio Dangelo in 1951. Starting from the gestural abstraction of his beginnings, passing through the birth of his larval anthropomorphic figures and the eruption of the liquefied mountains in the magmatic body of the Generals, the exhibition will touch on the parody of extraterrestrial invasions to arrive at the Meccano army and the animated world of chests of drawers and trumeaus.

His characters, which have entered popular imagination, Dames and Generals, Ultrabodies, Mirrors, Furniture and the monsters of the Apocalypse will animate a carousel of creatures from the surrealist and sci-fi universe of an artist who used irony and the grotesque as a tool to dismantle bourgeois conformism and take a stand against all forms of established power.

His famous aesthetics of trinkets and trimmings, of tassels and shiny buttons like insignia on the truncated chests of his emblazoned soldiers, will be the thread that will stitch together, in sections, the enormous themes of Baj’s poetics, freed from a rigid chronological sequence or genre, with continuous cross-references between art and literature, colours and words, following a sort of script that will suggest a theatrical time and space to the spectator, given even the setting.

Fondamenta, a foundation for art and cultural education, was created by Electa Editore on the anniversary of its 80^th birthday.

Fondamenta is rooted in Electa’s wealth of experience in projects for publishing, heritage enhancement and creating and organising exhibitions and cultural events.

The name Fondamenta was inspired by the exhibition of the same name that writer Daniele Del Giudice

launched and curated between 1999 and 2003 in Venice, involving some of the world’s leading authors and artists. Fondamenta was the template for many festivals to come: it was the first to promote reading and the powerful discussion on current affairs that it generates; it was the first to bring the public into contact with intellectuals from various backgrounds and disciplines; it was the first to bring such a high level of cultural debate and performance events to the streets.

Fondamenta would like to be a “working framework”, and to work with others. Ours is a very open, very multifaceted idea of art and literature. We cannot take a step forward without taking a step back; we cannot understand the new if we do not see how much of the continuum, of the old, of the past, there is in the new.

These were Del Giudice’s words when he presented the project at the time, which not only still resonate evocatively and powerfully today, but even seem to trace the path to re-embracing the civil value of debating ideas and the arts to try to envision forms of communal happiness.

The intention is for the new Foundation to be animated and driven by the same spirit. To create open and vital opportunities for cultural sharing, celebrating the most virtuous and successful links between high and popular culture, to return to the principles of peaceful coexistence, inclusiveness and creativity that inspired the best of, again to quote Del Giudice, our “western atlas”.

GOALS

“Fondamenta is the culmination of a cultural adventure that has united a group of people who have visited, thought and worked at Electa over the years. From this resounding accord came the idea that formed the vision and helped make the leap. Fondamenta will implement educational and cultural projects for institutions and communities; at the same time it will be a place for experimental and broad thinking to synthesise our cultural heritage, the conflicts and rifts of the present, and the visions of the future”, explained Carlotta Branzanti, Director of the Fondamenta Foundation.

FONDAMENTA WAS CREATED TO:

• Reflect on contemporary visual culture: bringing the history of art and images back to the centre of interpretation of contemporary events and topical and urgent debates;
• Reconnect the arts to “read” our world: rediscovering the sparkling canvas that unites art, history, literature, poetry, music, theatre, cinema, to “really see” reality and promote an interconnected model of reading and multimedia knowledge;

• Create new ways of “reading” the Italian regions and landscape: enlightened and guided by the fundamental experience of Luigi Ghirri’s “Journey in Italy”, who sensed and shared with his “electiv” group the urgent need to transform the view of the Italian landscape through photography and literature, we would like to propose, through discussions with local communities and large centres, respectful and measured models of knowledge and visits to the regions, which are not just “nostalgic” visions and that can embody emerging values;

• Educate people in the arts and their heritage by original and incisive means of expression, matching methods, languages and principles primarily to the desires and demands that young people express;

• Experiment and innovate with the help of quality partners to envision, research and realise new forms of cultural communication on the narrative of the present and the future, and on the much-debated relationship between art, representation and multimedia.

WHAT THE FOUNDATION WILL DO:

• it will organise cultural events and festivals for institutions and local authorities together with quality partners;
• it will support public and private cultural institutions in cultural enhancement and co-design, including through participation in calls for tenders addressed to non-profit organisations and through public-private partnerships;
• it will develop new products and forms of storytelling, including digital, for culture;
• it will design ‘cultural participation’ activities in towns and small centres that reinvent the narratives of small and large stories using the expressions and languages of the arts in the regions.

Fondamenta will also be a place for thought and design, for creating new forms of cultural communication, as well as for experimenting and hybridising disciplines that make up the world of the ‘arts’, which, if they do not mix and interact with the major themes of modern times, risk losing touch with communities and young people.

The launch of the website will be accompanied by the zeroth issue of FM, Fondamenta Magazine, which, like a radio tuned to the conversation between original voices in the Italian cultural landscape, will amplify the debate behind the ‘laboratory’ of Fondamenta projects.

In the first episode, there will be original contributions by Chiara Alessi, Gabriele Pedullà, Vanessa Roghi, Silvia Bencivelli and Giulia Cavaliere focused on certain ‘frequencies’ – key to laying the foundations for future projects.

WHO WE ARE

The chairship is entrusted to Rosanna Cappelli, Managing Director of Electa Editore. The Foundation will be directed by Carlotta Branzanti.

In addition to the Chair, the Board of Directors will be comprised of Annapaola Negri-Clementi, Ernesto Franco, Guido Guerzoni and Enrico Selva.

Collaborating in the development of Fondamenta’s projects are professionals and companies that have gained in-depth design skills, experience and relationships in museum, publishing, educational, communication and cultural promotion settings and come from different disciplines – from visual arts to literature, from architecture to graphic design, from art history and criticism to economics, journalism and digital communication.